He must have realized what today is and decided that what we all needed was to see his beautiful face.
Source: FameFlynet Pictures
Source: FameFlynet Pictures
Source: FameFlynet Pictures
Source: FameFlynet Pictures
Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts
Thursday, February 14, 2013
YouTube Opens A Production Space In Tokyo To Help Creators Make Better Videos
Over the past few years, YouTube has been dramatically increasing the resources that it provides to the creative community that uploads videos on its platform. Starting with the acquisition of Next New Networks back in TK, the company has been investing in providing tools, equipment, funding, and guidance to its legion of creators, in an effort to help them improve the quality of their content.
Recently, that’s included the opening of production facilities in London ahead of the 2012 Olympics, and in Los Angeles last fall. Those spaces were meant to attract creators in Europe and North America. Now Asia, specifically Japan, is getting its own creator space, with the launch of a production facility in the Roppongi Hills complex in Tokyo.
Like the other YouTube Spaces, the Tokyo facility will be open to select YouTube partners who will be able to use it free of charge to launch ambitious new projects, get their hands on advanced equipment, or just hone their skills while collaborating with other creators.
Typically, creators gain access to the spaces by applying at youtube.com/space. YouTube will begin taking applications on April 1, and will make its choices for those who will participate later in the spring.
Those who are accepted get three months to use the production facilities, including access to sound stages, as well as the use high-quality cameras, lights, production and editing equipment. The Space has three production studios, equipment rooms, screening rooms, and post-production facilities, including edit bays and a foley room.
In addition to providing support for on-demand content uploaded by YouTube creators, the space will host screenings of their content, and will also have live events. That includes live-streamed music sessions and Google Hangouts, including a concert by Japanese singer Juju later this week on February 15.
While YouTube continues to offer guidance and funding to independent creators through the launch of production spaces in places like L.A. and Tokyo, as well as other initiatives, it’s not alone. A number of multichannel networks like Machinima, Maker Studios, and others have emerged to provide marketing and production support to creators looking to increase their audiences.
Friday, December 2, 2011
Google News: First Superman comic book sells for super price of $2.16 million
Cover of Superman Chronicles, Vol. 1
Gant Daily - 36 minutes ago Los Angeles, CA, United States (AHN) - It cost just 10 cents when it debuted in 1938. In 2011, it fetched a record $2.16 million. Action Comics #1, the first Superman comic book, set a record Wednesday when it was sold for $2.16 million, the most ever ... |
Browse all of today's headlines on Google News
Google News: Ralph Fiennes' Directorial Debut 'Coriolanus' Shows Shakespeare's Continued ...
Image via WikipediaPopMatters - 1 hour ago Martius (Ralph Fiennes) is a warrior. Raised as such by his fierce mother, Volumnia (Vanessa Redgrave), he stands ruthless and bloody on the battlefield, which, in this version of Coriolanus, is bleakly urban. Ralph Fiennes Braves the Bard TheaterMania.com 'Coriolanus' review: Ralph Fiennes directs Shakespeare update Los Angeles Times See all 45 sources » |
Browse all of today's headlines on Google News
Sunday, November 20, 2011
Google News: Movie review: 'Happy Feet Two'
Image via WikipediaLos Angeles Times - Nov 17, 2011 Seeing thousands of penguins dance with Rockettes-like precision is still a kick, but coherent storytelling goes missing. By Kenneth Turan, Los Angeles Times Film Critic It's hard to resist dancing penguins, but "Happy Feet Two" may make you want to ... A Search for Self-Discovery, Two Left Feet and All New York Times See all 585 sources » |
Browse all of today's headlines on Google News
Google News: 'Breaking Dawn' rises to $283.5M worldwide debut; 'Twilight' sequel earns ...
Image via WikipediaWashington Post - 30 minutes ago LOS ANGELES - "The Twilight Saga" has staked out another huge opening with a $139.5 million first weekend domestically and a worldwide launch of $283.5 million. |
Browse all of today's headlines on Google News
Saturday, November 19, 2011
Google News: Walt Hazzard, Former Star and Coach for UCLA, Dies at 69
New York Times - 5 hours ago By AP LOS ANGELES (AP) - Walt Hazzard, the former UCLA and NBA star who played on the Bruins' first NCAA championship basketball team in 1964 and coached the team for four seasons in the 1980s, died on Friday. Former UCLA, NBA star Walt Hazzard dies USA Today Walt Hazzard dies - former UCLA basketball star San Francisco Chronicle See all 172 sources » |
Browse all of today's headlines on Google News
Google News: Debt Supercommittee Moves Further Apart as Negotiations Enter Homestretch
Bloomberg - 2 hours ago Lawmakers on the congressional supercommittee made no visible progress ahead of a Nov. 23 deadline for a debt-reduction deal even as negotiators picked up the pace of bipartisan talks ... Deficit 'super committee' will probably pass the buck to voters Los Angeles Times SD lawmakers haven't given up hope on supercommittee Sioux Falls Argus Leader all 2,219 news articles » |
Browse all of today's headlines on Google News
Friday, November 11, 2011
Google News: Italy's Senate approves economic reform measures
Los Angeles Times - 42 minutes ago REPORTING FROM ROME -- The Italian government, seeking to mollify financial markets threatening to crash its finances, took a major step Friday toward passing a budget and an economic reform bill that could clear the way for Prime Minister Silvio ... FOREX WEEK AHEAD: Europe-Watching The New Normal Wall Street Journal all 7,205 news articles » |
Browse all of today's headlines on Google News
Saturday, October 29, 2011
Google News: Defense witness: Michael Jackson caused own death
The Associated Press - 2 hours ago LOS ANGELES (AP) - With dramatic courtroom testimony, attorneys for Michael Jackson's doctor have dropped the bombshell they've been hinting at for months - an expert opinion accusing the singer of causing his own death. |
Browse all of today's headlines on Google News
Tuesday, October 4, 2011
The Doors
Image via WikipediaThe Doors were an American rock band formed in 1965 in Los Angeles, California, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore, and guitarist Robby Krieger. The band took its name from Aldous Huxley's book The Doors of Perception,[3] the title of which was a reference to a William Blake quotation: "If the doors of perception were cleansed every thing would appear to man as it is, infinite."[4] They were among the most controversial rock acts of the 1960s, due mostly to Morrison's wild, poetic lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until finally disbanding in 1973.[1]
Although The Doors' active career ended in 1973, their popularity has persisted. According to the RIAA, they have sold over 35 million albums in the US alone.[5] The band has sold nearly 100 million albums worldwide.[6] Ray Manzarek and Robby Krieger continue to tour as Manzarek-Krieger, performing Doors songs exclusively. Three of the band's studio albums, The Doors (1967), Strange Days (1967), and L.A. Woman (1971), were featured in the Rolling Stone list of The 500 Greatest Albums of All Time, at positions 42, 407 and 362 respectively. In 1993, The Doors were inducted into the Rock and Roll Hall of Fame.
Contents [hide]
1 History
1.1 1965–68
1.1.1 Origins and formation
1.1.2 Debut album
1.2 Early live recordings at The Matrix
1.2.1 Early television performances
1.2.2 Strange Days
1.2.3 New Haven incident
1.2.4 Waiting for the Sun
1.3 1969–71
1.3.1 The Soft Parade
1.3.2 Miami incident
1.3.3 More legal problems
1.3.4 Aquarius Theatre performances
1.3.5 Morrison Hotel and Absolutely Live
1.3.6 Last public performance
1.3.7 L.A. Woman
1.3.8 Morrison's death
1.4 1971–73
1.4.1 Other Voices
1.4.2 Full Circle
1.4.3 Break-up
1.5 Post Break-up Reunions
1.5.1 1978 - An American Prayer
1.5.2 1993 - Rock and Roll Hall of Fame
1.5.3 1997 - Orange County Suite
1.5.4 2000 - VH1's Storytellers and Stoned Immaculate
2 After The Doors
2.1 The Butts Band (1973-1975)
2.2 Solo work (1974–present)
2.3 Manzarek–Krieger (2002–present)
3 New releases
4 Awards, accolades, and critical appraisal
5 Band members
6 Discography
7 Videography
8 References
9 Sources
10 Further reading
11 External links
[edit]History
[edit]1965–68
[edit]Origins and formation
The Doors performing for Danish television in 1968
The origins of The Doors lie in a chance meeting between acquaintances and fellow UCLA film school alumni Jim Morrison and Ray Manzarek on Venice Beach in Los Angeles, California in July 1965. Morrison told Manzarek he had been writing songs (Morrison said "I was taking notes at a fantastic rock-n-roll concert going on in my head") and, with Manzarek's encouragement, sang "Moonlight Drive". Impressed by Morrison's lyrics, Manzarek suggested they form a band.[citation needed]
Keyboardist Manzarek was in a band called Rick & the Ravens with his brothers Rick and Jim Manzarek, while drummer John Densmore was playing with The Psychedelic Rangers, and knew Manzarek from meditation classes.[7] In August, Densmore joined the group and, along with members of The Ravens and bass player Pat Sullivan (later credited using her married name Patricia Hansen in the 1997 box CD release), recorded a six-song demo in September 1965. This has since then circulated widely as a bootleg recording. That month the group recruited guitarist Robby Krieger, and the final lineup — Morrison, Manzarek, Krieger and Densmore — was complete. The band took their name from a line in William Blake's poem The Marriage of Heaven and Hell; "If the doors of perception were cleansed everything would appear to man as it is, infinite".[8]
Whisky a Go Go
By 1966, the group was playing the LA club London Fog and soon graduated to the prestigious Whisky a Go Go, where they were the house band, supporting acts including Van Morrison's group Them. On their last night together the two bands joined up for "In the Midnight Hour" and a twenty-minute jam session of Them's "Gloria".[9] Prior to graduating to Whisky a Go Go Morrison went to many record labels trying to land a deal. He did score one but it did not pan out. On August 10, they were spotted by Elektra Records president Jac Holzman who was present at the recommendation of Love singer Arthur Lee, whose group was on Elektra. After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 18—the start of a long and successful partnership with Rothchild and engineer Bruce Botnick. Later that month, the club fired the band after a profanity-filled performance of "The End".
[edit]Debut album
The band recorded their first album from August 24 to 31, 1966 at Sunset Sound Recording Studios. 'The Doors' self-titled debut LP was released in the first week of January 1967. It featured most of the major songs from their set, including the nearly 12-minute musical drama "The End".
In November 1966, Mark Abramson directed a promotional film for the lead single "Break On Through (To the Other Side)". To promote the single, the Doors made their television debut on a Los Angeles TV show called Boss City, circa 1966, possibly early 1967 and then on a Los Angeles TV show called Shebang, miming to "Break On Through," on New Year's Day 1967. This clip has never been officially released by the Doors.
Since "Break on Through" was not very successful on the radio, the band turned to "Light My Fire". The problem with this song was that it was seven minutes long, so producer Paul Rothschild cut it down to a three minute song. The band's second single, "Light My Fire", became the first single from Elektra Records to reach number one on the Billboard Hot 100 singles chart, selling over a million copies.[10] "Light My Fire" was the first song ever written by Robbie Krieger and was the beginning of the band's success.
Live at the Matrix 1967
[edit]Early live recordings at The Matrix
From March 7 to March 11, 1967, The Doors performed at The Matrix Club in San Francisco, California. The March 7 and 10 shows were recorded by a co-owner of The Matrix, Peter Abram. These recordings are notable as they are among the earliest live recordings of the band to circulate. On November 18, 2008, The Doors published a compilation of these recordings, Live at the Matrix 1967, on the band's boutique Bright Midnight Archives label.
[edit]Early television performances
The Doors appeared on American television on August 25, 1967, guest-starring on the variety TV series, Malibu U, performing "Light My Fire". They did not appear live. The band is seen on a beach and are performing the song in play back. The music video did not gain any commercial success and the performance was more or less forgotten.[11] It was not until they appeared on The Ed Sullivan Show that they gained attention on television.[12]
Jim Morrison
The Doors made their international television debut in May 1967, recording a version of "The End" for the Canadian Broadcasting Corporation (CBC) at O'Keefe Centre in Toronto.[13] But after its initial broadcasts, it remained unreleased except in bootleg form until the release of The Doors Soundstage Performances DVD in 2002.[13]
On September 17, 1967, The Doors gave a memorable performance of "Light My Fire" on The Ed Sullivan Show.[12] According to Ray Manzarek, network executives asked that the word "higher" be removed in favor of "better." The group initially agreed to this, but nonetheless performed the song in its original form, either because they had never intended to comply with the request, or Jim Morrison was nervous and forgot to make the change (Manzarek has given conflicting accounts). Either way, "higher" was sung out on national TV, and a furious Ed Sullivan canceled another six shows that had been planned, to which Jim Morrison reportedly said to a show producer: "Hey man. We just did the Sullivan Show."[12]
On December 24, The Doors performed "Light My Fire" and "Moonlight Drive" live for The Jonathan Winters Show, their performance was taped for later broadcast. From December 26 to December 28, the group played at the Winterland Ballroom in San Francisco. An excerpt taken from Stephen Davis' book on Jim Morrison (p. 219–220):
The next night at Winterland, a TV set was wheeled onstage during The Doors set so the band could see themselves on The Jonathan Winters Show. They stopped playing "Back Door Man" when their song came on. The audience watched the Doors watching themselves on TV. They finished the song when their bit was done, and Ray walked over and turned the TV off. The next night was their last ever in Winterland.
They played two more dates in Denver on December 30 and December 31, 1967, capping off a year of almost constant touring.
[edit]Strange Days
The Doors spent several weeks in Los' Angeles' Sunset Studios recording their second album, Strange Days, experimenting with the new technology they now had available. The commercial success of Strange Days was middling, peaking at number three on the Billboard album chart but quickly dropping, along with a series of underperforming singles.[10] The chorus from the album's single "People Are Strange" inspired the name of the 2010 documentary of The Doors, When You're Strange.
Strange Days was the first Doors album recorded with a studio musician on bass, and this continued on all subsequent studio albums.[14] Manzarek explained that his keyboard bass was well-suited for live situations but that it lacked the "articulation" needed for studio recording.[14] Douglass Lubahn played on Strange Days and the next two albums; but the band utilized several other musicians for this role, often using more than one bassist on the same album. Kerry Magness, Leroy Vinnegar, Harvey Brooks, Ray Neopolitan, Lonnie Mack and Jerry Scheff are credited as bassists who worked with the band.[15][16][17][18][19]
[edit]New Haven incident
Morrison's mugshot in New Haven
On December 9, 1967, The Doors performed a now infamous concert at New Haven Arena in New Haven, Connecticut, which ended abruptly when Morrison was arrested by local police.[20] Morrison became the first rock artist ever to be arrested onstage during a concert performance.[21][22]
Morrison had been "making out" with a fan backstage in a bathroom shower stall prior to the start of the concert when a police officer happened upon them. Unaware that he was the lead singer of the band about to perform, the officer told Morrison and the girl to leave, to which Morrison said, "Eat it." The policeman took out a can of mace and warned Morrison, "Last chance.", to which Morrison replied, "Last chance to eat it."[23][24] There is some discrepancy as to what happened next: according to No One Here Gets Out Alive, the girl ran and Morrison was maced; but Manzarek recounts in his book that both Jim and the fan were sprayed and that the concert was delayed for an hour while Jim recovered.[23][25][26]
Halfway through the first set, Morrison proceeded to go on an obscenity-laced tirade to the audience, explaining what had happened backstage and belittling New Haven police. Then Morrison was arrested and dragged offstage, resulting in a riot which spilled from the gates of the New Haven Arena into the streets. Morrison was taken to a local police station, photographed and booked on charges of inciting a riot, indecency and public obscenity. Charges against Morrison, as well as those against three journalists also arrested in the incident (Mike Zwerin, Yvonne Chabrier and Tim Page), were dropped several weeks later due to lack of evidence.[22][25]
[edit]Waiting for the Sun
Recording of the group's third album in April 1968 was marred by tension as a result of Morrison's increasing dependence on alcohol and drugs, and the rejection of his new epic, "Celebration of the Lizard", by band producer Paul Rothchild, who deemed the work not commercial enough. Approaching the height of their popularity, The Doors played a series of outdoor shows that led to frenzied scenes between fans and police, particularly at Chicago Coliseum on May 10.
The band began to branch out from their initial form for this third LP. Because they had exhausted their original repertoire, they began writing new material. Waiting for the Sun became their first #1 LP, and the single "Hello, I Love You" was their second and last US #1 single. With the 1968 release of "Hello, I Love You", the rock press pointed out the song's resemblance to The Kinks' 1964 hit, "All Day and All of the Night". Kinks guitarist Dave Davies was particularly irritated by the similarity.[27] In concert, Morrison was occasionally dismissive of the song, leaving the vocal chores to Manzarek, as can be seen in the documentary The Doors are Open.[28]
A month after riotous scenes took place at the Singer Bowl in New York, the group flew to Britain for their first venue outside of North America. They held a press conference at the ICA Gallery in London and played shows at The Roundhouse Theatre. The results of the trip were broadcast on Granada TV's The Doors Are Open, later released on video. They played dates in Europe, along with Jefferson Airplane, including a show in Amsterdam where Morrison collapsed on stage after a drug binge.
The group flew back to the US and played nine more US dates before returning to work in November on their fourth LP. They ended the year with a successful new single, "Touch Me", (released in December 1968), which hit US #3. They started 1969 with a sold-out show on January 24 at Madison Square Garden.
[edit]1969–71
[edit]The Soft Parade
The Doors' fourth album, The Soft Parade, released in July 1969, contained pop-oriented arrangements and horn sections. The lead single "Touch Me" featured saxophonist Curtis Amy.
While the band was trying to maintain their previous momentum, efforts to expand their sound gave the album an experimental feel, causing critics to attack their musical integrity. According to John Densmore in his biography Riders On The Storm individual writing credits were noted for the first time because of Morrison's reluctance to sing the lyrics of Robbie Krieger's song "Tell All the People". Morrison's drinking made him difficult and unreliable, and the recording sessions dragged on for months. Studio costs piled up, and The Doors came close to disintegrating. Despite all this, the album was immensely successful, becoming the band's fourth hit album.
[edit]Miami incident
On March 1, 1969, at the Dinner Key Auditorium in the Coconut Grove neighborhood of Miami, The Doors gave the most controversial performance of their career, one that nearly "derailed the band".[1] Morrison had recently attended a play by an experimental theater group, The Living Theatre, and was inspired by their "antagonistic" style of performance art.[29] The auditorium was a converted seaplane hangar that had no air conditioning on that hot night, and the seats had been removed by the promoter in order to boost ticket sales.[30][31] Morrison had been drinking all day and had missed connecting flights to Miami, and by the time he eventually arrived the concert was over an hour late in starting, and he was, according to Manzarek, "overly fortified with alcohol".[30][32] The restless crowd of 12,000, packed into a facility designed to hold 7,000, was subjected to Morrison's lack of interest in singing shortly into "Break On Through".[33] Morrison taunted the crowd with messages of both love and hate, saying, "Love me. I can't take it no more without no good love. I want some lovin'. Ain't nobody gonna love my ass?" and alternately, "You're all a bunch of fuckin' idiots!" and screaming "What are you gonna do about it?" over and over again.[34][35][32] At one point, Morrison removed and threw the hat of a police officer who was onstage into the crowd and the officer removed Jim's hat and threw it.[36] Manager Bill Siddons recalled, "The gig was a bizarre, circus-like thing, there was this guy carrying a sheep and the wildest people that I'd ever seen".[37] Equipment chief Vince Treanor said, "Somebody jumped up and poured champagne on Jim so he took his shirt off, he was soaking wet. 'Let's see a little skin, let's get naked,' he said, and the audience started taking their clothes off."[37] Having removed his shirt, Morrison held it in front of his groin area and started to make hand movements behind it.[38] Manzarek later described the incident as a mass "religious hallucination".[38]
On March 5, the Dade County Sheriff's office issued a warrant for Morrison's arrest claiming Morrison deliberately exposed his penis while on stage, shouted obscenities to the crowd, simulated oral sex on guitarist Robby Krieger and was drunk at the time of his performance. Morrison turned down a plea bargain that required The Doors to perform a free Miami concert. He was later convicted, sentenced to six months in jail, with hard labor, and ordered to pay a $500 fine.[39][40] Morrison remained free pending an appeal of his conviction, and would die before the matter was legally resolved. In 2007 Florida Governor Charlie Crist suggested the possibility of a posthumous pardon for Morrison, which was announced as successful on December 9, 2010.[41] Densmore, Krieger and Manzarek have denied that Morrison exposed himself on stage that night.[42][43][44]
[edit]More legal problems
During the recording of their next album, in November 1969, Morrison once again found himself in trouble with the law after harassing airline staff during a flight to Phoenix, Arizona to see The Rolling Stones in concert. Both Morrison and his friend and traveling companion Tom Baker were charged with "interfering with the flight of an intercontinental aircraft and public drunkenness".[45] If convicted of the most serious charge, Morrison could have faced a possible ten-year federal prison sentence for the incident.[2] The charges were dropped in April 1970 after an airline stewardess reversed her testimony to say she mistakenly identified Morrison as Baker.[46]
[edit]Aquarius Theatre performances
The Doors gave two concerts at the Aquarius Theatre on Sunset Blvd, Hollywood. The two shows were performed on July 21, 1969. A "backstage" performance, a so-called "private rehearsal" without an audience occurred on July 22, 1969. This was only a few months after the "Miami incident" in March of that year. Of the songs performed with an audience, "Universal Mind" and the "Celebration of the Lizard" suite were released on The Doors' 1970 Absolutely Live album, whereas "You Make Me Real" was released on Alive, She Cried in 1983. Further, the Van Morrison track, "Gloria", which was performed and recorded during the audience-less rehearsal, was also released on Alive, She Cried. Both the first and second shows along with the rehearsal the following day were released in 2001. It was at these shows that Morrison issued his poem, "Ode to L.A." while thinking of Brian Jones, the recently deceased former Rolling Stones guitarist.
[edit]Morrison Hotel and Absolutely Live
John Densmore
The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent, hard rock sound, the album's opener was "Roadhouse Blues". The record reached US #4 and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far".[2] Rock Magazine called it "without any doubt their ballsiest (and best) album to date".[2] Circus magazine praised it as "possibly the best album yet from the Doors" and "Good hard, evil rock, and one of the best albums released this decade".[2] The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and The Lovin' Spoonful's John Sebastian on harmonica).
July 1970 saw the release of The Doors' first live album, Absolutely Live.
The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside artists such as Jimi Hendrix, The Who, Joni Mitchell, Leonard Cohen, Miles Davis and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love.
Jim Morrison on the day of his conviction in Miami for profanity and indecent exposure.
[edit]Last public performance
On December 8, 1970, his 27th birthday, Morrison recorded another poetry session. Part of this would end up on An American Prayer in 1978 with music, and is currently under the possession of the Courson family. The Doors' tour to promote their upcoming album L.A. Woman would comprise only two dates. The first was held in Dallas, Texas on December 11. During the Doors' last public performance with Morrison, at The Warehouse in New Orleans, Louisiana, on December 12, 1970, Morrison apparently had a breakdown on stage. Midway through the set he slammed the microphone numerous times into the stage floor until the platform beneath was destroyed, then sat down and refused to perform for the remainder of the show. Drummer John Densmore recalls the incident in his biography Riders On the Storm, where after the show he met with Ray and Robbie; they decided to end their live act, citing their mutual agreement that Morrison was ready to retire from performing.
[edit]L.A. Woman
The Doors set to reclaim their status as a premier act with L.A. Woman in 1971. The session included guitar work by Marc Benno, and bass by Jerry Scheff. The album contained two top-20 hits and has gone on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Rothchild. Denouncing "Riders on the Storm" as 'cocktail jazz', he quit and handed the production to Botnick. The singles "L.A. Woman", "Love Her Madly", and "Riders On The Storm" remain mainstays of rock radio programming, and the latter, as of November 25, 2009, was inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman" Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. So far as known, this is the last clip of the Doors performing with Morrison. On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile.
While in Paris, he was again drinking heavily and using other drugs. On June 16, the last known recording of Morrison was made when he befriended two street musicians at a bar and invited them to a studio. This recording was finally released in 1994 on a bootleg CD entitled The Lost Paris Tapes.
[edit]Morrison's death
Jim Morrison's grave at the Père Lachaise Cemetery in Paris
Morrison died on July 3, 1971. In the official account of his death, he was found in a Paris apartment bathtub by Courson. Pursuant to French law, no autopsy was performed because the medical examiner claimed to have found no evidence of foul play. The absence of an official autopsy and the death certificate not having a reason of death besides heart failure has left many questions regarding Morrison's cause of death. Herve Muller speculates that Jim died of a heroin overdose at the Rock n' Roll Circus. This is corroborated by the manager of the club, Sam Bernett, in a 2007 interview and subsequent book. Morrison was buried in the "Poets Corner" of Père Lachaise Cemetery on July 7. The epitaph on his headstone bears the Greek inscription "ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ", literally meaning "According to his own daimōn" and usually interpreted as "True to his own spirit".[47][48]
Morrison died at age 27, the same age as several other famous rock stars in the 27 Club. Morrison's girlfriend, Pamela Courson, also died at the age of 27.
[edit]1971–73
[edit]Other Voices
The surviving Doors continued for some time, initially considering replacing Morrison with a new singer. Instead, Krieger and Manzarek took over on vocals and The Doors released two more albums before disbanding. The recording of Other Voices took place from July to August 1971, and the album was released in October 1971. The LP featured the single "Tightrope Ride", which received some airplay.
[edit]Full Circle
The recordings for Full Circle took place during the spring of 1972, and the album was released in August 1972. The Doors went on tour after the releases in support of the albums. The last album expanded into jazz territory. For the tours during this period, The Doors enlisted Jack Conrad on bass and Bobby Ray Henson on rhythm guitar. While neither album has been reissued on CD in the United States, they have been released on 2-on-1 CDs in Germany and Russia.
[edit]Break-up
The group disbanded in 1973 and Krieger and Densmore would go on to form The Butts Band from 1973-1975. Krieger, Manzarek and Densmore reunited in 1978 for An American Prayer, 1993 at the Rock and Roll Hall of Fame, 1997 in the studio to complete the Morrison penned "Orange County Suite" and 2000 for VH1's Storytellers: A Celebration and on the tribute album Stoned Immaculate: The Music of the Doors, which featured band members playing along side guest performers as well as recording new music.
[edit]Post Break-up Reunions
[edit]1978 - An American Prayer
The third post-Morrison album, An American Prayer, was released in 1978. It consisted of the band adding musical tracks to spoken-word recordings of Morrison reciting his poetry. The record was a commercial success, acquiring a platinum certificate.[49] An American Prayer was re-mastered and re-released with bonus tracks in 1995.[50]
[edit]1993 - Rock and Roll Hall of Fame
In 1993, The Doors were inducted into the Rock and Roll Hall of Fame. For the ceremony Manzarek, Krieger and Densmore reunited once again to perform "Roadhouse Blues", "Break On Through" and "Light My Fire". Eddie Vedder filled in on lead vocals, while Don Was played bass.
[edit]1997 - Orange County Suite
For the 1997 boxed set, the surviving members of The Doors once again reunited to complete "Orange County Suite". The track was one that Morrison had written and recorded, providing vocals and piano.
[edit]2000 - VH1's Storytellers and Stoned Immaculate
The Doors reunited for the last time in 2000 to perform on VH1's Storytellers. For this last live performance, the band was joined by Angelo Barbera on bass and numerous guest vocalists. Guest vocalists included Ian Astbury, Scott Weiland, Scott Stapp, Perry Farrell, Pat Monahan and Travis Meeks. Following the recording the Storytellers: A Celebration, the band members joined solo and together to record on the Stoned Immaculate: The Music of The Doors. These sessions also yielded new songs credited to The Doors; "Under Waterfall", "Is Everybody In?", "Children of the Night" and "The Cosmic Movie."
[edit]After The Doors
[edit]The Butts Band (1973-1975)
Main article: The Butts Band
Krieger and Densmore formed The Butts Band in 1973, but disbanded in 1975 after two albums. Phil Chen who played bass on the band's second album, would later join Robby once again with Mazarek-Krieger.
[edit]Solo work (1974–present)
Manzarek made three solo albums from 1974–83 and formed a band called Nite City in 1975, which released two albums from 1977-78. Krieger released six solo albums from 1977-2010. All of the ex-Doors solo albums have met with mixed reviews. In recent years Densmore formed a jazz band called Tribaljazz and they released a self titled album in 2006.
[edit]Manzarek–Krieger (2002–present)
Main article: Manzarek-Krieger
In 2002 Ray Manzarek and Robby Krieger formed a new version of The Doors which they called The Doors of the 21st Century. After legal battles over use of The Doors name with drummer John Densmore, they changed their name several times and now tour under the name Manzarek-Krieger or Ray Manzarek and Robby Krieger of The Doors. The group is dedicated to performing the music of The Doors and Jim Morrison. John Densmore refuses to participate because of Morrison's absence, although Manzarek and Krieger have always invited him.
[edit]New releases
In 1997, the first archive material was included on the release of The Doors: Box Set, a four-CD set, one of which was a "greatest hits" type CD. Some of the material had been previously available on bootlegs. A notable inclusion on the compilation was a CD of highlights from the 1970 Felt Forum concert and a cleaned-up recording of the (edited) 1969 "Rock Is Dead" session. The surviving members again re-united to add new musical backing to the solo Morrison song "Orange County Suite".
The 1999 Complete Studio Recordings box set only included the first six studio albums (omitting An American Prayer, Other Voices and Full Circle), and the Perception box set, released on November 21, 2006, continued the same trend omitting the three post-Morrison studio albums. The 2006 box set contained about two hours of mostly unheard studio outtakes from the first six albums. Each album was represented by two discs: a CD of the album and the bonus tracks, and a DVD-Audio with both stereo and 5.1 surround sound mixes (produced and mixed by Bruce Botnick) in 96 kHz/24-bit LPCM, Dolby Digital, and DTS, as well as mostly previously released video footage. The discs were accompanied by new liner notes by Botnick and articles from several music critics and historians for each album.
In November 2000, The Doors announced the creation of Bright Midnight Records, a label through which 36 albums and 90 hours of previously unreleased Morrison-era Doors material would be made available on CD. This was launched with a sampler of forthcoming material, mostly from live concerts. The first full release was a two-CD set of the May 1970 show at Detroit's Cobo Center, notable for being, according to Doors manager Danny Sugerman in its liner notes, "easily... the longest Doors set ever performed." It was followed by two CDs of interviews, mostly with Morrison, and the two 1969 Aquarius shows and one of the rehearsals. A four-CD set Boot Yer Butt included bootleg quality material but sold out nevertheless.[51] It was notable for the inclusion of the only known performances of songs from L.A. Woman including the title track and "The Changeling" from The Doors' final recorded show in December 1970, Dallas, Texas. In 2005, a two-CD concert from Philadelphia in 1970 was released.
Many bootleg recordings are available of the group. Among them are a wealth of shows from March 1967 at the Matrix Club in San Francisco. Many shows are available from 1968 when the band reached the height of its popularity, notably two shows in Stockholm, Sweden. The infamous Miami show has become widely available while many 1970 shows, notably a radio broadcast of the June 5 Seattle and June 6 Vancouver show, make the rounds. The complete 1969 Rock Is Dead studio jam was discovered in the mid 1990s. In Rock is Dead and in interviews Morrison makes it clear that the music is a continued exploration of the Dionysian mythic content that had informed his earlier poetry. The apocalyptic elements in the music and the poetry were ahead of the music of the day; later groups like Nirvana are influenced by The Doors. We also have to consider the possible influence of Pamela Courson.
In July 2007, Rhino announced the release of The Doors – Live In Boston,[52] a three-disc live album by The Doors. It was recorded on April 10, 1970, as part of the Absolutely Live tour. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
In March 2008, Rhino announced the release of The Doors – Pittsburgh Civic Arena,[53] a live album by The Doors released in 2008. The concert was recorded in Pittsburgh at the Pittsburgh Civic Arena on May 2, 1970. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
In November 2008, Rhino announced the release of The Doors – Live at the Matrix 1967, a double live album[54] compiled and resequenced from recordings made on March 7 and 10, 1967 at The Matrix in San Francisco by club co-owner Peter Abram.[55] The recording is notable because it is one of the earliest live recordings of the band known to exist: The Doors had recorded only one album by March 1967, "Light My Fire" had yet to be released as a single,[56] and they were still relatively unknown outside Southern California.
In November 2009, Rhino announced the release of The Doors – Live in New York,[57] a six-disc box set of the final four concerts performed by The Doors on January 17 and 18, 1970 at the Felt Forum in New York City. About a third of the material on the set was previously unreleased.
In April 2010, Rhino announced the release of The Doors – When You're Strange: Music From The Motion Picture,[58] a single disc of the soundtrack to the 2010 documentary film, narrated by Johnny Depp, about The Doors and their music. The soundtrack features 14 songs from The Doors’ six studio albums, with studio versions mixed with live versions, including performances from The Ed Sullivan Show, Television-Byen in Gladsaxe, Felt Forum in New York and The Isle of Wight Festival.
In November 2010, Rhino announced the release of The Doors – Live in Vancouver 1970,[59] a two-disc live album. It was recorded on June 6, 1970 in Vancouver, Canada. Vince Treanor, The Doors’ tour manager, recorded the show for the band on a Sony reel-to-reel using two microphones placed on the stage. While not a multitrack high fidelity recording, it is clean, quiet and clear, allowing the unbridled energy of the performances to shine through. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
When You're Strange was released in April 2010. It is, as Ray Manzarek says, the true story of The Doors, told through use of new interviews and previously unreleased video footage. The film is narrated by Johnny Depp, and directed by Tom DiCillo.[60] Rhino Entertainment released a soundtrack to the movie in March 2010, containing both live and studio recordings.[60]
In July 2011, Rhino UK announced the release of The Doors – A Collection,[61] a six-CD retrospective box set of the first six albums from The Doors recorded 1966-1971. It features remastered tracks by Bruce Botnik and original artwork in replicated paper sleeves.
Monday, October 3, 2011
Task Rabbit
Image by Getty Images via @daylifeWho are the TaskRabbits?
TaskRabbits are friendly, awesome people in your community who are either under-employed, retired, parents with grown children, or folks who just want something more interesting than a standard desk job.
See Top TaskRabbits »
TaskRabbits are
Monday, September 26, 2011
Emily Deschanel
Image via WikipediaDeschanel was born in Los Angeles, California, the daughter of Academy Award–nominated cinematographer and director Caleb Deschanel and actress Mary Jo Deschanel (née Weir). She has one younger sister: actress, model, songwriter, and musician Zooey Deschanel.[3]
[edit]Career
Deschanel made her feature film debut in 1994's It Could Happen to You. Her next notable role was in Stephen King's Rose Red in 2002. She then appeared in Cold Mountain, The Alamo, and Glory Road and was named one of "six actresses to watch" by Interview Magazine in 2004.
After starring in 2005's Boogeyman, Deschanel landed the role of Dr. Temperance Brennan on Fox's Bones, a series based on the real-life forensic anthropologist Kathy Reichs. She has been playing this role in Bones for 6 years; season 7 is set to premiere November 3, 2011. For her performance she received a 2006 Satellite Award nomination and a 2007 Teen Choice Award nomination. She has also received two consecutive Ewwy Award wins for Actress in a Leading Role (Drama Category) in 2009 and 2010. Deschanel has served as co-producer since the start of the show's third season, and as producer since the middle of the show's fourth season along with co-star David Boreanaz.
Deschanel, with Alyson Hannigan, Jaime King, Minka Kelly, and Katharine McPhee made a video slumber party featured on FunnyorDie.com to promote regular breast cancer screenings for the organization Stand Up 2 Cancer.[4]
In recent years, her passion for animal welfare has led her to providing the narration for My Child is a Monkey and serving as an associate producer on the documentary film How I Became an Elephant.[5]
[edit]Personal life
Emily Deschanel at 23rd Genesis Awards, March 2009.
Deschanel is a vegan and a committed supporter of animal rights causes. She can be seen in an Access Hollywood video at the book launch event of Karen Dawn's Thanking the Monkey: Rethinking the Way We Treat Animals, discussing how vegetarian and vegan diets help the environment, and a video on the homepage of the book's website talking about the importance of animal rights.[6] She attended Harvard-Westlake and Crossroads in Los Angeles[7] before graduating from Boston University's Professional Actors Training Program with a Bachelor of Fine Arts in Theater.[8]
Deschanel married actor and writer David Hornsby on September 25, 2010 during a small private ceremony in the Pacific Palisades area of Los Angeles.[9] On March 31, 2011 the couple announced that they are expecting their first child together, due at the end of September.[10] On September 21, 2011 they welcomed their first child, a baby boy named Henry Hornsby.[11]
Saturday, September 24, 2011
Call of Juarez: The Cartel
Sometimes a game’s concept is just flat out better than the final product. That is the case for Call of Juarez: The Cartel. The concept is there; a Mexican drug cartel bombs a U.S. law enforcement agency. In response, the U.S. government puts together a task force to take them down—pretty straightforward story. Now, take into account the dynamic range of the characters like Ben McCall, a brutal LAPD cop and descendant of Ray McCall (from the previous Call of Juarez titles); Eddie Guerra, a DEA agent with a gambling habit; and Kim Evans, a gang-affiliate turned FBI agent, and you get a pretty diverse range of characters to build a story off of. Throw in the idea that depending on the character you choose to play as, the story itself can reveal certain things according to that character’s point of view. Each character has their own personal agenda and reasons for being a part of the case, and those motivations are made clear through cut-scenes and the gameplay itself. So far the concept seems golden, right?
Well, this is a classic example of how the execution fails to live up to the concept. Each character has their faults, and they could have built off of these weaknesses to develop characters who you truly can root for in the game. Instead, what they create are characters that are boring and hard to form a real bond with. This leaves you not caring what happens to them.
Watch Call of Juarez: The Cartel Launch Trailer
The story is a modern take on the Wild West. It takes place in Los Angeles and throws in elements of the West. I guess this was their way to keep the Call of Juarez name on it. The story is slow to develop and filled with repetitive one-liners. There’s only so much praise you can get from your partners for blowing people up before it drives you crazy.
The level design is bland and follows a very linear path. All you do is move down a pathway, shoot the enemies that pop-up, and continue moving. The rest is just rinse and repeat. Also, there is a lack of interesting weapons, consisting of riles, pistols, and grenades. It’s like they updated the year the game took place, but not the weapon selection. They do attempt to break up the monotony by throwing in some other gameplay mechanics like hand-to-hand fighting and some driving sequences, but they just seem like they were thrown together last minute.
Aside from the gameplay mechanics and design itself, the graphics are not much to look at. The textures are bland at best and not something you’d expect from a next-gen game. The guns look like plastic. Details are nonexistent, and in a game where gameplay lacks, you sometimes have to turn to graphics to enjoy it. Unfortunately, this game doesn’t deliver on either.
I will say, this game does offer a fun multiplayer experience. Call of Juarez: The Cartel offers a nice drop-in/out co-op for up to three players. Before the level is a lobby, designed to look like a parking lot, hotel room, or whatever is appropriate for the upcoming mission. This is where you can wait for people to join or switch weapons. The multiplayer modes are actually quite fun. There is the traditional team deathmatch mode, but they throw a nice partner system spin on it that gives you bonuses for performing actions with your partner. So rather than running around solo, you have some incentive to stick close to your teammate. It’s actually quite similar to the “high-five” in Uncharted 3. One of the strongest modes is Objective Mode, where you and your team must complete a series of objectives. This could mean getting drugs into your car and driving through the streets to progress to your goal. Upon arrival, you are met with another objective. It flows nicely together, and it seems like you are working towards an overall goal rather than a bunch of smaller missions that end right away.
To sum it up, Call of Juarez: The Cartel has great potential, but just doesn’t deliver on it. The repetitive gameplay, the corny one-liners, and the lackluster graphics make it an unenjoyable experience. The few redeeming features are multiplayer and the ability to play as three of the main characters to reveal the different points of view of the story. Unfortunately, the story isn’t one you are likely to care about.
Well, this is a classic example of how the execution fails to live up to the concept. Each character has their faults, and they could have built off of these weaknesses to develop characters who you truly can root for in the game. Instead, what they create are characters that are boring and hard to form a real bond with. This leaves you not caring what happens to them.
Watch Call of Juarez: The Cartel Launch Trailer
The story is a modern take on the Wild West. It takes place in Los Angeles and throws in elements of the West. I guess this was their way to keep the Call of Juarez name on it. The story is slow to develop and filled with repetitive one-liners. There’s only so much praise you can get from your partners for blowing people up before it drives you crazy.
The level design is bland and follows a very linear path. All you do is move down a pathway, shoot the enemies that pop-up, and continue moving. The rest is just rinse and repeat. Also, there is a lack of interesting weapons, consisting of riles, pistols, and grenades. It’s like they updated the year the game took place, but not the weapon selection. They do attempt to break up the monotony by throwing in some other gameplay mechanics like hand-to-hand fighting and some driving sequences, but they just seem like they were thrown together last minute.
Aside from the gameplay mechanics and design itself, the graphics are not much to look at. The textures are bland at best and not something you’d expect from a next-gen game. The guns look like plastic. Details are nonexistent, and in a game where gameplay lacks, you sometimes have to turn to graphics to enjoy it. Unfortunately, this game doesn’t deliver on either.
I will say, this game does offer a fun multiplayer experience. Call of Juarez: The Cartel offers a nice drop-in/out co-op for up to three players. Before the level is a lobby, designed to look like a parking lot, hotel room, or whatever is appropriate for the upcoming mission. This is where you can wait for people to join or switch weapons. The multiplayer modes are actually quite fun. There is the traditional team deathmatch mode, but they throw a nice partner system spin on it that gives you bonuses for performing actions with your partner. So rather than running around solo, you have some incentive to stick close to your teammate. It’s actually quite similar to the “high-five” in Uncharted 3. One of the strongest modes is Objective Mode, where you and your team must complete a series of objectives. This could mean getting drugs into your car and driving through the streets to progress to your goal. Upon arrival, you are met with another objective. It flows nicely together, and it seems like you are working towards an overall goal rather than a bunch of smaller missions that end right away.
To sum it up, Call of Juarez: The Cartel has great potential, but just doesn’t deliver on it. The repetitive gameplay, the corny one-liners, and the lackluster graphics make it an unenjoyable experience. The few redeeming features are multiplayer and the ability to play as three of the main characters to reveal the different points of view of the story. Unfortunately, the story isn’t one you are likely to care about.
Monday, September 12, 2011
40.Ronald Reagan
Ronald Wilson Reagan (/ˈreɪɡən/; February 6, 1911 – June 5, 2004) was the 40th President of the United States (1981–1989), the 33rd Governor of California (1967–1975) and, prior to that, a radio, film and television actor.
Reagan was born in Tampico in Whiteside County, Illinois, reared in Dixon in Lee County, Illinois, and educated at Eureka College in Eureka, Illinois, with a Bachelor of Arts degree in economics and sociology. Upon his graduation, Reagan first moved to Iowa to work as a radio broadcaster and then in 1937 to Los Angeles, California. He began a career as an actor, first in films and later television, appearing in over 50 movie productions and earning enough success to become a famous, publicly recognized figure. Some of his most notable roles are in Knute Rockne, All American, Kings Row, and Bedtime for Bonzo. Reagan served as president of the Screen Actors Guild, and later spokesman for General Electric; his start in politics occurred during his work for GE. Originally a member of the Democratic Party, he began to support Republican Party candidates in the early 1950s and eventually switched to theRepublican Party in 1962. After delivering a rousing speech in support of Barry Goldwater's presidential candidacy in 1964, he was persuaded to seek the California governorship, winning two years later and again in 1970. He was defeated in his run for the Republican presidential nomination in 1968 as well as1976, but won both the nomination and election in 1980, defeating incumbent Jimmy Carter.
As president, Reagan implemented sweeping new political and economic initiatives. His supply-side economic policies, dubbed "Reaganomics", advocated reducing tax rates to spur economic growth, controlling the money supply to reduce inflation, deregulation of the economy, and reducing government spending. In his first term he survived an assassination attempt, took a hard line against labor unions, and ordered an invasion of Grenada. He was reelected in a landslide in 1984, proclaiming that it was "Morning in America". His second term was primarily marked by foreign matters, such as the ending of theCold War, the 1986 bombing of Libya, and the revelation of the Iran-Contra affair. Publicly describing the Soviet Union as an "evil empire",[1] he supported anti-communist movements worldwide and spent his first term forgoing the strategy of détente by ordering a massive military buildup in an arms race with the USSR. Reagan negotiated with General Secretary of the Communist Party of the Soviet Union Mikhail Gorbachev, culminating in the INF Treaty and the decrease of both countries' nuclear arsenals.
Reagan left office in 1989. In 1994, the former president disclosed that he had been diagnosed with Alzheimer's disease earlier in the year; he died ten years later at the age of 93. He ranks highly in public opinion polls of U.S. Presidents and is credited for generating an ideological renaissance on the American political right.
Subscribe to:
Posts (Atom)